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Black Magic in Mumbai
Symptoms of Black Magic
Black magic puts a block on a person's wisdom and intelligence and all efforts to solve the problem go fruitless. One feels a mental block, gets disturbed sleep with bad dreams, and negative thoughts. There is heaviness and weight on the heart and constriction in the throat.
At times, there could suddenly be blue marks on thighs without getting hurt, or faster & erratic heartbeat and breathing without any physical exertion. There are quarrels in the family without any reason. One might feel the presence of somebody in the house.
One feels one is not getting one's due and can achieve much more. One feels suffocated & restless in all circumstances, and is never at peace. One remains depressed, with lack of enthusiasm or desire to live & rise in life.
Effects of Black Magic
Black Magic can really play havoc with the life of the target person by destroying any aspect of life may it be career/business or wealth/prosperity, creating family problems or unnecessary tensions/phobias, adversely affecting children & family, creating chronic health problems, destroying mental peace, intelligence & happiness, cause inner turmoil, unrest & uncharacteristic/abnormal behavior and even cause unnatural deaths in extreme circumstances.
Black Magic not only affects the circumstances and future prospects of a person, but also deprives him materially of everything he was destined for, but also affects the psyche of the victim in such a way that one looses the will-power & mental energy to get out of the sinister situation one is in, and has no desire to live or rise in life.
The effects of Black Magic become more chronic, dangerous and fatal with time, if untreated, like a horrible disease. It starts spreading like a contagious disease, affecting the person's mind, brain, body, relationships, attitudes, work, money, marriage, career and everything in life.
Breaking or reversing Black Magic Spell
Putting a Black magic spell on someone is very easy for those knowing even a little bit of Tantrik siddhis/ voodoo. But to remove the spell and eliminate it's sinister effects needs lot of expertise, continuous & rigorous puja/worship and a combination Siddhis & Sadhna.
Gurude curses those doing Black Magic on innocent people and destroying their lives and happiness for years to come.
'Raksha Kavach' for Protection & Cure of Black Magic
'Raksha' is 'Protection' and 'Kavach' is 'Shield'. 'Raksha Kavach' is the most powerful Talisman for protection and cure of Black magic. 'Raksha Kavach' eradicates all ill-effects of Black magic, Evil spells, Curses, Ghosts and Spirits. It cures one of evil effects of past attacks and protects one from all future attacks.
The effect of 'Raksha Kavach' never gets reduced. It's protection is life-long, and lasts for as long as it is worn. The moment it is worn, the negative effects start receding and it's protection starts, freeing the wearer from all evil influences which can ruin & destroy one's present and future life.
'Raksha Kavach' is blessed with so much extraordinary energy and power that it can guard and protect an individual against the strongest super-natural forces, negative powers and reverse/break any kind of spell.
The wearer of 'Raksha Kavach' always remains immune from any Black magic attacks.
Raksha kavach 75 $ us (3333/-Rs) + Shipping www.dhyansanjivani.org
Spiritual Maha Black Magic Power Spells
PREPARATORY SPELL BEFORE PERFORMING BLACK MAGICK"Expugno Lumen, Nillus Lux,Vis Levis, Luciens Nux"We Extinguish the Light,We Render it's Death,Violent Light, Light is DeadSaid 3x with a bell dipped in fresh blood and rung 3x over the Gate or summoning sigil.
black magic BY FEAR RITUALThis is the image of my would be victimIt I hang from a single threadIn a place no one shall seeIt will bring fear in the heart of him who shall harm meHe will be binded by fear from harming me furtherhe will be binded by fear from harming me at allI will tie a knot in the thread when I wish to secure the fear until I break itSo mote it be!
TO LOSE YOUR TROUBESTake a handful of earth and gaze into it.Put all your troubles and thoughts of distress into it.State exactly what it is that's troubling you.When finished, throw the dirt behind you and walk away without turning around to look at it.
3 NIGHTS OF HELL CANDLE SPELLThis spell will inflict serious pain and sores on thine enemy for a period of 3 strange days.After which the spell is lifted he is made well again.Take a black candle and place a picture of thine enemy in front of you and tiltthe candle so the wax drips upon the would be victim in the picture.Visualize the wax burning sores into the body of thine enemy.While doing so, recite the following 3 times"As I do this candle spellBring thine enemy 3 nights of hellCandle black, black as nightBring him pains of flesh tonight!lesions on his skin will growAfflict him with a painful blowSores and pain afflict him nowfor 3 nights he'll wonder howDukes of darkness, Kings of hellSmite thine enemy, bring him hellwhen 3 nights of pain have pastMake him well, well at last".After sitting and thinking about the sores that will inflict your enemy and thepain he will suffer you may then extinguish the candle. When 3 nights havepast tear up the photo and say the following."When 3 nights of pain endured,I lift this curse rest assuredDarkness leave him, go away,the curse is lifted now, today!"
TO BIND THE LOVER OF YOUR DESIREThis spell is really a conjuration of powers to compel either a man or a woman to desirethe operator of the spell. By desire, we do not necessarily mean in a caring or romanticway, but more in the way a starving person craves a meal. This is not a "love spell",but more like a summoning and controlling spell.The ConjurationOn the full Moon, at the hour of Midnight, Light two black tapers.Write the name of the person to be summoned on a piece of parchment paper, andplace it one the alter along with a photograph or other image of the desired.Light the charcoal burner, or light charcoal in a cauldron, and drop on some frankincense.Once the frankincense is burning, hold the Pentacle high within the circle and say aloud:I sauté thee and conjure thee,O beautiful Moon, O most beautiful Star, O brilliant light which I have in my hand.By the air that I breathe, by the breath within me, by the earth which I am touching:I conjure thee. By all the secret names of the spirit princes living in you.By the ineffable and secret name Tetragrammaton and all the other names of power,I conjure thee. By you, O resplendent Angel Gabriel, with the planet Mercury, Prince,Michael, and Melchidael, I Conjure thee!I conjure you again, by all the secret names of Tetragrammaton, so that you may sendthe power to oppress, torture and harass the body, mind, and soul of [name of the desiredperson here], she (he) whose name is written here,(hold up parchment)So that she (he) shall come unto me, and agree willingly to my desires,neither liking nor loving nobody in the world, for as long as she (he) shall remain unmoved by me.(drop picture and parchment into charcoal burner)Let her (him) now begin to feel the torment of my absence!Go then! Go at once! Go, Melchidael, Baresches, Zazel, Firiel, Malcha, and all those who are with thee!I conjure thee by the Great Tetragrammaton to do my bidding, lest, by the power, I cast you out,or into the abyss. Obey my will, and I promise to release you to return to your home in the neitherregions from whence thou came. Blow out the tapers, Close the Circle.
GOOFER DUST SPELLTake the graveyard dirt and mix with a little mullein, patchouli and a touch of brimspell (sulfur).This powder will burn. Shape into a human figure and ignite. As it burns it is supposed to hexwhoever the figure represented with the result that the individual allegedly became ill.Another common usage is to sprinkle it on the doorstep of the one to be conjured, or toplace some in a bag that is hidden on the intended victim's property or hidden in the dwelling.
BLACK ART SPELLTo stop an enemy from bringing harm, here is what you must do,procure a special oil, of Dragon's blood and Rue.Add to it a pinch of poppy, nightshade and some thyme,add to that three tiny drops, of some bitter wine.Anoint a black candle with your victim's name and seal it with an "X",then chant these words most carefully, to send forth this darksome hex:Darksome powers of the night,gather round my candle's flame,send my enemy in shaded flight,send my enemy away in shame.Say this chant 13 times, on the darkest moon,The Old Ones then will hear your plight and will grant your boon.
THREE TIMES THREETo have someone see his errors.This is a three times three spell to use on people who were corrupt in their ways.It has no negative consequence unless you think ill of the person while casting the spell.Wind in the north, run through the treesThree times three, let them see, let them seeSands of the east, rich soils beneathThree times three, set them free, set them freeFires in the south, awaken from sleepThree times three, let them see, let them seeWater of the west, flow to the seasThree times three, set them free, set them freeIt works best if you have something representing that person, like a strand of their hairor a fingernail. The spell may not work instantaneously, you may have to repeat it forthe person to see error in their ways.
TO MAKE AN ENEMY MOVEWhen the moon is in a waning phase, write on white parchment paper (or whatever youhave) the full name of the person you want to move, along with birth date if known.Roll up the paper, with a photo if you have one, place inside a bottle of vinegar, thentoss into a body of running water, visualize your enemy moving away as the bottleis washed away.
DO MY BIDDING!Take three pieces of ribbon, thread, or yarn - one red, one yellow, and oneblack Take them up. Tie in each one three knots, repeating the name of the one you wish todo your bidding as you tie each one. Then bind all three pieces together and carry them or wearthem on your person. The person you have bound in this manner will not be able to resist yourwishes or commands. Add to your daily bath a spoonful or two of High John Conquering orSuccess Bath, and see what a difference there will be in your life in just five to seven days!After the bath, rub some Controlling Powder on the arms and around the shoulders. If there is acertain person you wish to dominate, the puppet spell has many advantages.Choose a Thursday when the moon is waxing, and at 8:00 AM, 3:00 PM, or 10:00 PM,and only after securing your privacy so that no one will see or hear you, take an imageand label it with the name of the person you wish to sway to your will.You can use a doll, a photograph, or even a blank piece of paper cut to resemble a human figure,.If you have a possession of the person you are attempting to influence, so much the better -attachhair snips with glue, rub in nail clippings, tie or sew on a sock, handkerchief, or anything belongingto the one for whom the image is made.Hold the doll or image in your two hands in front of you, concentrate on the person involved,and chant, at least seven times -"Damballah, may I (mention your own name)come out victorious in my dealing with (mention the person's name)."Work with the doll each day at the same hour for nine days.After the image is named and tagged, this should never change.No doll should be used for more than one person.If you wish to influence several persons, use a different doll for each one.
SPELL TO BRING NIGHTMARESPerform this spell on the night of a waning moon. Preparation- thirteen black candles.Put one candle in each corner of the altar, one one each side, and one on each corner ofyour pentagram. Anoint each candle with a non-purifying oil, working base to tip. Cast a circle.Visualization- Imagine the persons dream in perfect detail, replay it over and over in your minduntil the dream is completely clear in your head. Once it is visualize your thoughts traveling tothe person, see the persons face and the dream seeping into their brain.Invocation- invoke a dark deity or a deity of dreams and nightmares into your circle,(I chose Incubus-the god of nightmares and dream rape, and The White Lady-The Celtic Goddess of Terror and the underworlds,) by saying," I invoke thee, dark god, call thee by name.Incubus, enter my circle, I call you on this dark hour, to aid me in my dark deeds.I invoke thee dark goddess, call thee by name.White Lady, enter my circle, I call you on this dark hour, to aid me in my dark deeds."Incantation- Now state your purpose by saying,"Enchanting deities of the underworld, I call upon thee to help me perform my evil deeds.Come at once, aid this dream of terror, come at once to bring them horror.Crawl inside his/her head deep in the night,Bring him/her the dream I see so clear,Bring him/her my dream of fright.He/she shall never forget this dream I made, let it stay with him/her until her/his grave.Now go at once, travel the night, bring (persons name) dreams of fright."Meditate- Now sit comfortably and meditate.First see the dream traveling to the person again, and then clear your mind of all negative thoughts.Now close the circle and allow the candles to burn themselves out.Warning- Protect yourself when performing this spell.By calling upon the deities of Darkness you are putting yourself at risk.After performing this spell it would be wise to perform a cleansing and purifying ritual on your house.You may also want to perform a spell for pleasant dreams. But then why spoil it! www.dhyansanjivani.orgyantraguru@hotmail.com
YANTRA AND SYNCHRONICITY
Samten de Wet.
The emerging hunger of our time, the lack of faith in institutions, and the projection of a new vision into our psychic lives - these few 'reasons' have stimulated a series of papers.
C.G.Jung stated in his Memorial Address, 'In Memory of Richard Wilhelm':
"We have today a Gnostic movement in the anonymous masses which exactly corresponds psychologically with the Gnostic movement nineteen hundreds years ago."
Gnosis, is in this sense, Higher Knowledge, or Insight, basically transcendental in frequency.
Many streams of esoteric Wisdom were amalgamated within the Gnostic movement, which historically reached its height during the great Alexandrine renaissance, and continued through the Grandeurs and the Fall of Rome, to eventually submerge as a system of the Wisdom of Transcendence under the growing power of Christian Dogma fused to the State.
Gnosticism was replaced by a carefully controlled and manipulated psychic censorship which has held sway right up to the 20th Century.
This inner, 'psychic war' continued on the surface of European history through its many Crusades, iconoclastic outbursts, Inquisitions and Heresies. The work of Peter Abelard, Paracelsus, Giordano Bruno, Copernicus, Galileo and many others fell victim to this repression of Gnostic Knowledge, which was bred and maintained over so many centuries. In Astrological terms, the Gnostic revival of today is said to correspond with the incoming energies of the Age of Aquarius - the Key Word of which is: I KNOW. (Gnosis.)
But in order to survive the persecution of the enemies of Wisdom, the Gnostic Teachings and its Deeper Knowledge, were coded into secret forms and ciphers. Crystalized into Architecture (Chartres and Notre Dame) were Alchemical Teachings rich in symbolic meaning. The forces who profit from the maintenance of ignorance (avidya) have never been in total control. An immense secret documentation, a transmission of Inner Wisdom, took place in the interior psychic landscape of Europe. It surfaced during the 15th century as the Tarot cards. Alchemical literature and symbols flourished under the shadow of the gallows and the stake. Hermetic and Rosicrucian systems emerged in the writings of Bacon, Shakespeare and Isaac Newton.
It is only recently that certain Keys to this Gnostic Wisdom made an external, or exoteric appearance.
Evans-Wentz, in his Tibetan Book of the Dead, writes:
"Some of the more learned lamas, including the late Lama Kazi Samdup have believed that since very early times there has been a secret international symbol-code in common use among the initiates, which affords a key to the meaning of such occult doctrines as are still jealously guarded by religious fraternities in India, as in Tibet, and in China, Mongolia and Japan."
Among the many KEYS that have put in an external appearance, is the Theory of Synchronicity, as evident in the work of C.J.Jung and Arthur Koestler. This theory is related to the pattern-process of YANTRA, and the tradition of the Yantras it is transmitted in the Tibetan and Hindu visual ciphers.
These unveiled mysteries reveal the interface between astrology and psychology. As C.J. Jung writes:
"...astrology represents the summation of all the psychological knowledge of antiquity."
In preparing to discover the meaning of YANTRA is thus connected to the scientific discoveries of the modern child of astrology and alchemy, Psychology. A term rarely used is ASTRO-GNOSIS.
(In preparing ) or: Our preparation to discover the meaning of YANTRA is thus connected to the scientific discoveries and massive documentation of astrology-alchemy (which I term ASTROGNOSIS) and its modern child, psychology.
Let us now consider this definition of YANTRA by Ajit Mookerjee:
"YANTRA is essentially a geometric composition, but to understand its true nature one has to go beyond the notions of geometry into those of dynamics. A YANTRA then represents particular force whose power or energy increases in proportion to the abstraction or precision of the diagram. Through such YANTRAS or power diagrams, creation and control of ideas and physical forces are supposed to be possible. The dynamic graph of the diagram of forces by which anything can be represented - the picture of its functional constitution - is called the YANTRA of that thing. It is not an arbitrary invention but a revealed image of an aspect of cosmic structure."
Ajit Mookerjee.
p.21:
(It is necessary to outline briefly that often immense systems of STORAGE are condensed, coagulated into symbolic systems, ciphers, mnemonic devices for the use of future generations.
[See the work of J.L.Borjes, and the novel "Dune' by Frank Herbert.
This field of research is ignored in current academic trends, except perhaps in the field of Psychology. These Storage Systems are being released through the appearance of the KEYS in the present 'Gnostic Movement', or as we call it 'The Spiritual Revolution' thus vivifying the psychic bankruptcy and creative cul-de-sac of so-called Western Civilization, and its think tanks, the Universities.
In the last sentence of the above definition of YANTRA as "...revealed image of an aspect of cosmic structure" we have a perfect definition of the science of astrology which pertains exactly to the revelations of the functioning of the modern mind which modern psychology is supposed to reveal.
For example, a revealed aspect of the psyche (or the psychological archetype) or an image of an aspect of psychological structure, is illustrated perfectly in Diagram No. 1 which is our main example of YANTRA.The Diagram is of the Fourth Stage of Meditation: "The centre in the midst of the conditions", seen in 'The Secret of the Golden Flower."
The KEY is now beginning to operate in its function of Revelation.
From one perspective, this image/picture-idea is classified and recognized as a psychological state - the splitting up from the Centre - the One, into the Many. The path into differentiation or disintegration. The same process has its organic parallel in the differentiation of cell structures, veins, and arteries, the delta mouths of rivers, the nervous system, the branching of tress etc. I have called this phenomenon:
THE BRANCHING ARCHETYPE, or THE DELTA EFFECT.
Our task is to establish a visual catalogue of all the correspondences and analogies of this Branching archetype, in whatever form it may manifest, on whatever level of reality, or state of consciousness.
From such a constellation of images, we would be able to begin seeing organic structures in YANTRIC terms.
By analogy, we begin to perceive (to SEE), unfolding patterns, which reveal dynamic aspects of cosmic design. When this revealed image of cosmic structure is before us, or within us, when the enciphered architecture of the 'universe' is 'DECIPHERED', we are aesthetically empowered to deal with the situations of reality, and the Mysteries of Being.
Just as suffering is said to be the fruit of ignorance, so the revelation of the Yantra bears fruit. The eating of this fruit allows us to see the weave of existence in forms that are intuitively realized as being 'meta-organic', and relatively /true in the context of Samsara, the magical display of Illusion.
This brings us to the of the Nyingmapa realization of the Tibetan Buddhist Tantras, that the entire spectrum of reality is itself a meaningful cipher and a Divine Mandala.
"One should regard oneself and all that is visible as a divine mandala, every audible sound to be regarded as mantra and every thought arising in one's mind as a magic manifestation of the Great Wisdom."
Here, we are prematurely approaching the esoteric subject of the Mandala. This has to be dealt with separately in the section on Texture and Aesthetics. Another chasm of meanings unfold when we contemplate the relationship between the YANTRA and the MANDALA.
To return to the BRANCHING ARCHETY[PE In the present time, the mass of humanity has been brutalized into accepting a particular state of reality and value conditioning. This appears on one level, as the relative differentiation of ROLE situations and GAME conditions, the world of THINGS. We each become, man or woman, brother, master or servant, father, mother, politician, capitalist or communist, hetero or homosexual, in order to define exactly how far away we are from the integrated, non-conditioned Centre. It is interesting to note that according to the more progressive Tibetan Teachings, the term SUNYATA is not defined by the word "nothingness" or "void" but by:
NO - "thing" - ness.
a great difference indeed.
The quality of most mystical states of merging with All That Is, results in the fading away of the role conditions of Life, and the AT-ONE-MENT, or ATONEMENT.
Thus we can see this "Key' in operation in the last sentence of the above definition of Yantra as "...a revealed image of cosmic structure" which is a perfect definition of the science of astrology and should also pertain to the revelations of the human mind which modern psychology is supposed to reveal.
Unless we subscribe to the destructive programmes of Dualistic and separative tendencies, we must see that there is a THREAD between the programmed STORAGE SYSTEMS, CIPHERS, KEYS, SYMBOL-CODE LANGUAGES, &c. of the Gnostic, Astrological, Alchemical, Psychological and Tibetan Metaphysical systems, in that they all REVEAL IMAGES AS ASPECTS OF COSMIC STRUCTURE. YANTRA is, in this sense, the revealed pattern between the relative and the Absolute, the Golden Thread with which we weave Force Field Patterns of Energy (MIND) and relate the Micro to the Macro Cosmic.
Here it is time to delve into the functional aspects of Yantra through examples. But before doing so we must relate Yantra to the concept of Syncronicity. In the words of the Master:
"The science of the I CHING, indeed is not based on the causality principle (hitherto unnamed because not met with among us) which I have called the syncronistic principle. My occupation with the psychology of unconscious processes long ago necessitated my casting around for another explanatory principle, because the causality principle seemed to me inadequate for the explanation of certain remarkable phenomena of the unconscious. Thus I found that there are psychic parallelisms which cannot be related to each other causally, but which must stand in another sort of connectedness. This connection seemed to me to lie mainly in the relative simultaneity of the events, therefore the expression 'syncronistic'.It seems, indeed, as though time. far from being an abstraction is a concrete continuum which contains qualities or basic conditions manifesting themselves simultaneously in various places in a way not to be explained by causal parallelism, as , for example, in cases of the coincident appearance of identical thoughts, symbols or psychic states. Another example would be the simultaneity of Chinese and European periods of style, a fact pointed out by Wilhelm. They could not have been causally related to one another. Astrology would be another example of manifest syncronicity if it had at its disposal thoroughly tested findings."
This brings us to the final statement that "...astrology represents the summation of all the psychological knowledge of antiquity." Jung again...
Here Jung reveals the 'dynamics' of Yantra, in that "...a Yantra represents particular forces whose power or energy increases in proportion to the abstraction or precision in the diagram". This energy increasing in proportion, is the same as 'syncronistic psychic parallels' which manifest simultaneously in various places without any causal connection. This is also called co-incidence in the metaphysical terminology of Tantra and in particular the Teachings of Naropa.
'The Glass Bead Game' by Hesse deals with an advanced system of aesthetic perception with which analogies are discovered, or created, the Yantric value of all known Art Forms are seen to correspond to cosmic force filed patterns and an overall Universal Pattern, or MANDALA is thus revealed. This is the basis for the foundation of a Glass Bead Game.
p.22.
YANTRA - GLASS BEAD GAME NUMBER ONE.
Recommended reading matter: Chapters 1-6, Part Two: The Foundations of Tibetan Mysticism, by Lama Anagarika Govinda, Rider.
Lama Govinda writes:
"While mantric sounds have their origin within the cultural realms of a certain language or civilization, there are other symbols of figurative and conceptual nature, the origin of which cannot be traced to any particular place, tribe, or race, and which are not bound to any particular period of human civilization or to any religion, but which are the common property of humanity. These symbols may disappear in one place - in fact, they may be buried for centuries - only to reappear at another place, and to rise resurrected in a new and brilliant garb. They may change their names or even their meaning, according to the emphasis laid upon the one or the other of their aspects, without loosing their original direction: because it is in the nature of the symbol to be as manifold as the life from which it grew, and yet to retain its character, its organic unity within the diversity of its aspects."
Lama Govinda is here dealing with synchronicity and with YANTRA:
"The most popular of these symbols are those which assume visible form, either as abstract (geometrical) figures or designs, or as objects of religious cult. But there are also invisible symbols which exist also as mental pictures, i.e. as ideas."
DIAGRAM No. 1 is a picture - idea, which has analogies with DIAGRAM NO. 2 of a Branching Effect. In No. 1 we see what is recognized as a psychological state - the splitting up from the Centre, the One, into the Many. The Path into Differentiation or disintegration. The same process has its organic parallel in the differentiation of cell structures, delta river mouths, veins and arteries, the nervous system, tree branches, etc.
This is a way of seeing organic structures in YANTRIC terms. By analogy, we see patterns unfolding which reveal the dynamic aspects of cosmic design. When the deciphered image of cosmic structure is before us, when the cipher is DECIPHERED, we are in a a greater aesthetic situation to deal with reality and the mysteries of Being. Suffering is said to be the Fruit of Ignorance and with YANTRA we see the web of existence in forms which intuitively we realize as meta-organic and thus TRUE in a relative, samsaric sense. This brings us to the latter realization of Buddhist Tantras, that the entire spectrum of Reality is in itself a meaningful cipher and a Divine MANDALA.
We have been brutalized into one particular state of reality values. This is the absolute differentiation of 'role situations' and 'game conditions' and 'things' which we become, e.g. man, brother, boss, father, politician, communist - in order to define the exact length we are away from the integrated non-conditioned centre. It is interesting to note that according to the more avant garde Tibetan Lamas - the term 'sunyata' is not defined by the word 'nothing' or 'void' but by 'NO- 'THING' NESS' a difference indeed.
Most mystical states are connect to merging with all that IS, the role conditions of life fade away and we become ONE or, as it is written we ATONE (AT-ONE.)
The VAJRA, is the Yantric symbol we shall now consider. Diagram No. 2 shows the VAJRA which is a form of YANTRA in that it can be used on multiple levels to reveal aspects of cosmic structure.
The Vajra is exactly the same ideograph of the Diagram No. 1 because they both reveal the process from the centre into differentiation. One definition comes from Lama Govinda who writes:
"As a visible symbol the vajra takes the shape of a sceptre (the emblem of supreme, sovereign power), and therefore it is correct to call it 'diamond sceptre.' This sceptre assumes a form corresponding to its function. Its centre is a sphere which represents the seed or germ of the universe in its undifferentiated form as 'bindu' (dot, zero, drop, smallest unit). Its potential force is indicated in pictorial representations by a spiral issuing from the centre of the sphere. From the undifferentiated unity of the centre grow the two opposite poles of unfoldment in form of lotus-blossoms, which represent the polarity of all conscious existence."
end of p.22.
In the Stupa or Chorten of Mystic Architecture, the 'seed-dot' is always at/on the top of the structure. Thus if we see the spiral as an ascending circumambulato, the Seed-Dot represents the Goal of the Process-Path.
The Seed is matter, packed into its most compact form. From this Bindu Seed Dot, manifest 'things' emerge in relative proportion to the knots of energy, or karmic residue that initially programmed them.
Around the Seed-Dot-Bindu we have the petals of the Lotus, the calyx of the Padma, Seat and Birthplace of the Gods. The Padma or Lotus usually has a feminine significance. It is thus no co-incidence that the chakra of focal psyche that corresponds to the womb or cervix is symbolically represented as a six petaled Lotus, or in some instances - the Double Triangled Star (Six-pointed). Chogyam Trungpa writes:
"In some Tantric writings, the double-triangle star is referred to as the originator of all dharmas. It is like a cervix, the gate of all birth. The mother principle is productive, constantly churning out the display of the phenomenal world."
The symbolic significance of the seed, dot, bindu, tigle, germinal vesicle, or sperm is obvious when related to the cervix, uterus of the Lotus as the matrix in which the seed unfolds.
p. 23
In 'Psychology and Alchemy' by C.G. Jung, specifically the series of dreams under the title 'The Symbolism of the Mandala' we read of the dream of the subject/patient in which the spiral suggests, by means of the circumambulo, the reaching of a point designated as a 'uterus', or the centre, the bindu, or dot, 'seed'.
The spiral is followed from outside (the without, the 'otherness) into the Centre, the Within, perhaps as an ascent into integration, a regression but not in derogatory terms into the womb. The movement is clockwise.
The spiral is form the centre, OUT and thus represents the descent into Matter of Differentiation. The movement is anti-clockwise.
The 'dot' in the centre is called by Jung, the "protoplasmic life-seed" or also 'the germinal vesicle'. This seed-dot is the central point of most Yantric diagrams and represents an entire programme of emanation packed into a condensed and 'calligraphic dot' which when fanned with the right conditions bursts forth into its programmed manifestation, i.e. bird, tree, elephant or human being.The process of Birth, or, the Developing Stage (Kerim in Tibetan), Formation, the entry into differentiation - means total Sacrifice of the previous form and slow transformation into the new. This seen in psychic terms is the initial emanation from the 'new' centre - the temenos. This is represented in the Vajra Yantra as the "...polarity of all conscious experience" seen as the unfolding lotus blossoms.
Prof.Guenther writes:
"The new state is referred to in symbols, since only symbols can convey a glimpse of the richness that constitutes this unity of being and awareness. Examples of such symbols are 'citadel of Vajradhara' and 'Mahamudra'. 'Citadel' aptly illustrates the powerfulness of the locality which is here the centre of the personality which in itself acts as an integrator, and 'Vajradhara' the Sceptre-Bearer, is the Lord of the 'Indestructible' which is the very mystery of being."
As process, the SEED represents the highest point of the process, in that it is the most condensed and secured aspect of the programme. It is thus the 'citadel' and/or the MICROFORM.
It is interesting to note that in the Vajra, the Centre spirals out clockwise into differentiation. From within to without, the movement is /clockwise.
One could elaborate endlessly - there is no limit to the amount of data that could be related to the schema of Yantra.The recurrence of a 'pattern or diagram of revealed cosmic structure', is called SYNCRONICITY, the ultilization of this series of process-patterns, or archetypes is termed YANTRA. These are a few 'ideas' on the subject offered in all humility to stimulate interest in this enormous and highly potent field of research, which I believe is the foundation for a new and UNITIVE VISION, the ESSENCE of which will precipitate us into the manifestation of a total renaissance of culture and consciousness.
BIBLIOGRAPHIC GUIDE from which GLASS BEAD GAMES can be constructed:
This paper is presented by Samten de Wet, and offered with devotion to the Ocean of Tantric Teachings and Transmitters working in the dark Age.
SARVA MANGALAM
We are now approaching a philosophical synthesis of sacred literature, music and mathematics. Science has also entered the holistic field. As an example, we could take the Eranos conferences from which some of the greatest thought of this century emanated - with such participators as D.T. Suzuki, Gershom Scholem, C.G.Jung, K.Kerenyi, Erich Neumann and so on. More recently, Arthur Koestler organized the Alpbach Symposium, the purpose of which "...was to define the common denominators, the general pattern underlying these critical attitudes in widely varying disciplines, as a first step towards a new scientific synthesis."
'Main Currents in Modern Thought' was another publication of intense vision. It seems necessary to quote the purpose of Main Currents, which was:
"...to present significant contributions to contemporary thought which point toward a unified vision of the world, by bringing into view the universal principles and modes of knowing in terms of which all cultures, ancient and modern, Eastern and Western, find their unique expressions."
Hermann Hesse presents us with his pure vision of 'The Glass Bead Game':
"There was a passionate craving among all the intellectuals of his age for a means to express their new concepts. They longed for philosophy, for synthesis. The erstwhile happiness of pure withdrawal each into his own discipline was now felt to be inadequate..."
And:
"Some dreamed of a new alphabet, a new language of symbols through which they could formulate and exchange their new intellectual experiences."
In another context, Evanz-Wentz in his 'Tibetan Book of the Dead' writes:
"Some of the more learned lamas, including the late Lama Kazi Samdup have believed that since very early times there has been a secret international symbol-code in common use among the initiates..."
There are codes transmitted via the Kabala which have been seen to correspond to atomic structures. And C.G. Jung revealed archetypal patterns of the psyche in the operations of the Alchemists.
So on one level one can be intimidated by the data explosion. Confusion can arise. But with a clear holistic vision, each facet can be woven into the tapestry of a Greater Reality.
It is possible that immense storage systems of knowledge are condensed and codified into symbolic systems, ciphers, mnemonic devices for the use of future generations. This idea is beautifully expressed in esoteric Tibetan Buddhism as TERMA (gTerma). In simple terms,, a sacred book of knowledge can be hidden by a saint and only discovered centuries later. These discoverers are called TERTONS.They unearth the stored knowledge by higher means. There are deeper levels to this operation, which operate through a variation of telepathy and the Collective Mind. A similar idea can be found in the implanting of Myth in 'Dune', the science fiction novel by Frank Herbert. The work of Jorge Luis Borjes, and especially his story 'The Gods' Script' shows the codification of information into the patterns of a jaguar.
Though this holistic vision is still ignored by current academics, the art theorist, Jack Burnham finds kabalistic and alchemical codes in the work of Marcel Duchamp and states:
"...all forms of organic growth and morphogenisis, ranging from human life and human speech to the evolution of planetary systems. In other words the code of nature maintains consistency and flexibility by repeating itself from one level to the next."
Mircea Eliade calls this a "...solidarity of structure."
In his work on vibrational effects, HANS JENNY writes:
"The forms and configurations resulting from experiments in varying the pitch of vibration often bear so strong a resemblance with structural patterns found in nature, be it plant of animal life or the world of minerals, that one is tempted to see here some fundamental law governing the creation of all forms in our universe."
From various angles, all these great men are saying the same thing. Borjes sees this as a "...hieroglyphical world" - which is his own version of a deep kabalistic teaching, that the entire world is made up of the letters of the Torah, i.e. a finite series in a spectral code.
From this vantage point, how do we now relate to Astrology? Or the Tarot cards? And the I Ching? All three so shockingly commercialized in the spiritual supermarkets and mostly seen in a literal sense, and thus firmly ensconced in the materialistic world view.
Certainly there is a data explosion. yantraguru@hotmail.com But I for one, see it as a "...divine writing" or an "...angelic cryptography."
We cannot force the issue, but in natural time - this emerging world vision will be woven. And if one considers the consequences, this would also be the total foundation of a new approach to Education. It would be "whole" - i.e. Holy. For only then will Science, Religion and Art, once again be reunited. The Three in One, perhaps?
Yantra for Wealth, Happiness, Power, Prosperity & Success
One of the most auspicious, important and powerful Yantras, which is essential to be worshipped by almost everyone, but also proves beneficial for all. It blesses the worshiper with peace, happiness, popularity, power, authority, wealth, prosperity & success. This ancient Yantra has been used since centuries by Kings, political leaders & men in authority for attaining fame, power & financial success, and is of utmost importance to men in 'Kalyuga', since it can help them achieve all worldly desires & fulfill all wishes thru' inner cosmic power & mental strength. www.astrologymantra.comwww.dhyansanjivani.org
MANTRAS & YANTRAS For Health
Everything is made of energy. Mantras are sacred sounds or vibrations that positively influence your life. Sound can impact form and it is here that mantras, properly used can change challenges into opportunities! NEW! Alleviate Life's Challenges through Mantra The art of Jyotish astrology can reveal difficult planetary periods we all transit through from time to time. After purchasing your personal reading (see first item in shopping area below), you will be asked to send your birthdate, time of birth and place of birth directly to Michael Mastro. He will personally read your astrological chart and recommend a specific mantra or mantras for you to chant. Your mantra(s) will benefit you immensely and greatly lessen the challenges you are facing. You will receive a short report with his recommendations, including mantra(s) and instructions via e-mail. This reading will cover one year.
Life Enhancing Yantras A yantra is an ancient geometric design that is encoded with sacred sounds. They include the vibrations of the five elements. Used for thousands of years, these transformational devices hold cosmic energy and transmit powerful frequencies that enliven our lives on every level of existence. They can be used on altars, hung on walls or taken with you for protection and blessings. Sacred ceremonies have been performed to charge these yantras to insure maximum effect. Instructions for activation and proper use are included. All copper and laminated yantras come in gossamer bags. Where indicated below, some yantras include small Plexiglas stands for placement on desks, tables, etc.
The prescriptive yantras below are for specific personal challenges that you or a loved one may encounter in daily life. Use when needed and remove and store in its gossamer bag when the challenge has passed. www.vastucreations.comwww.dhyansanjivani.org
Yantra Painting
 Working with Emotions
Yantra painting is a sacred art, based on the tantric concepts of the Vedas, ancient scriptures of knowledge and wisdom of India.
Tantra fosters awareness of the divine and enhances ones sadhana and spiritual practice to produce more self knowledge. When ones has self knowledge ones is able to communicate more effectively, completely and harmoniously through love, trust, skill and step into the circle of truth by honoring and understanding ones emotional make up.
A yantra is a powerful meditation tool, especially if constructed and painted in the traditional method of chanting sacred mantras while painting, that purify the mind and allow the heart to be in its fullest, clearest and highest expression.
Yantras are a symbolic representation of the various deities that govern the health and balance of each chakra. They are used for ritual worship and to overcome specific emotional patterns and limiting constrictions. Yantras are visual patterns and are expressions of primal mathematical relationships involved in the structure, creation and dissolution of the universe. They are gateways to a mythical world and have a direct and immediate effect on the emotions and the holographic vibrations that govern our existence, individual perceptions and worldview.
A deeply meditative experience yantra painting produces lasting and positive results re-aligning the psychological profile of the individual personality.
A yantra, geometric mandala, is a holistic symbol for the universal cosmology according to the ancient Hindu tradition. The mandalas are attributed to different planets and deities and used for worship, healing and meditation. They are present in millions of households and most Hindu temples, especially in southern India. Painting and constructing them is based on a tantric concept of uniting the male/female principle and thereby bringing a more harmonious and androgynous state of consciousness into being. Each part of the yantra has profound significance and although pretty to look at, it is actually not so simple to paint. The geometry has its relationship in the energetics of the chakras, the subtle energy centers that govern our evolution and in painting reveal an insightful energetic process in the painter. There are astrological and numerical yantras, architectural yantras and the yantras of the entire celestial pantheon of the Hindu mythology.
The act of drawing and painting yantras teaches the mind to concentrate and observe the emotional process while doing so. Focus and vigilant attention are needed as, if one makes a mistake, it will show toward the center of the yantra as all is done with precision and reveals the interconnectedness of everything. Psychologists have observed that painting mandalas and geometric forms engages the right hemisphere of the brain which is visual and nonverbal. Yantra painting creates inner silence and fosters self awareness as initially most people deal with some emotional blocks, impatience or miscalculate the dimensions. With diligence eventually a beautiful yantra emerges that will have a significant centering effect on the painter and may free up some emotional tension.
Mandalas represent the cosmos and, yantras in specific, since they are focused around a central point have a clearing effect on the retinal and geniculate cells thereby creating an inner harmony. Symmetrical geometric patterns seem to eventually produce a similar effect on both sides of the brains hemisphere and create a centered state when a yantra is used with the recitation of a specific mantra or beeja sound. This is a particularly useful exercise as it has been observed that westerners are more left hemisphere oriented and are deficient in right hemisphere education which has diminished our intuitive capacities, and with it the faith in higher values. In that sense yantra painting is a sacred activity.
During the painting process the attitude and the consciousness of the student become self evident to the painter as the focus, commitment and the application of the tools and flow, and later on the right mixing of the paint to represent and honor the tradition, reveal all aspects of ones life. The emotional blocks, the nature of the three Gunas ~ rajas, tatvas and sattvas ~ become apparent and often floods of anger, impatience, frustration or great sadness and hopelessness are experienced in the mind stream of the student. This is parallel to how one approaches one's life and reveals the devotion, or lack thereof, to divine guidance. One's self-judgment, the tendency to chatter or turn superficial, rather than commit to the task at hand, also become obvious. One's competitive nature and the ongoing and often subtle, or not so subtle, expressions of the ego appear. One looses the thread, the connection, the alignment. It takes great concentration, spaciousness and compassionate skill to paint a yantra and imbue it with sacred mantras to allow it to become a tool of protection and an outpouring of one's heart energy. Yantra painting cannot be mastered with the intellect or mechanical "Know How" ~ even if one is an accomplished painter.
Most of it, except for the instructional parts offered by the facilitator, is done in silence and attention to the individual, profound self-transformative experience. Generally, a yantra is composed of a square on the outside, with four projections forming a T-shaped structure and four entrance gates into the inner circle of petals, which represent the heart, and some triangulate forms inside the lotus petals. Sometimes there are two triangles overlapping forming a six pointed star.
The main focus is on the inner central point or dot. It is said in the Upanishads: "GOD, being the immovable mover, is the still point around which everything revolves". Completed yantras have an archetypal quality and every student will get to paint and complete one yantra during the weekend which will be enjoyable and meaningful in their own journey as a reference to planetary yoga and the healing within producing healing without, visualizing world peace.
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