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Yantras
The Sanskrit word 'yantra' derives from the root 'yam' meaning to sustain, hold or support the energy inherent in a particular element, object or concept. In its first meaning, 'yantra' may refer to any kind of mechanical contrivance which is harnessed to aid an enterprise. A yantra in this sense, therefore, is any sort of machine or instrument such as is used in architecture, astronomy, alchemy, chemistry, warfare or recreation. A Sanskrit text of the eleventh century AD, Samaranganasutradhara, on the science of architecture, gives vivid descriptions of the making and operating of such mechanical yantras as a wooden flying bird, wooden aeroplanes meant to fly with hot mercury as fuel, male and female robot figures, etc. The vast observatories built in Delhi and Jaipur under the patronage of Jai Singh (1686-1734) are called Jantar-Mantar, as their massive structures are astronomical 'instruments' (yantras) for recording heavenly phenomena.
the meaning of the term yantra has been expanded to refer to religious enterprises, and has acquired a special theological significance. Mystic yantras are aids to and the chief instruments of meditative discipline. Basically a yantra used in this context and for this purpose is an abstract geometrical design intended as a 'tool' for meditation and increased awareness."...
Archetypal Space & Sacred Sounds:
"In our ordinary perceptions we view space as an amorphous entity which is related to us in units of measurment. For us space is essentially quantitative; we understand it in terms of dimension, volume and distance. For the adept who uses yantras in yogic meditation, on the other hand, space enclosed within the bounded figure is purely qualitative; space is absolute void and unity is a 'sacrament' by means of which he communicates with a force that stands for life itself. The yantra is an archetypal unity, and in the making of every new yantra the archetypal activity and the divine revelations repeat themselves. Each yantra's consecrated place acts as a dwelling for the gods, a space where movement from the level of profane existence to the level of profound realities is made possible. Symbol and meaning blend so closely that they are one reality, indistinguishable from one another."... "Every yantra creates a power-field, a cosmicized circuit (kshetra) in which the powers of the sacred are invoked. The lines and planes localized within the yantra, though distinct from all the spaces that surround its outer circuit, are an expression of a transcendental reality. Stretching from star to star the ultimate substratum of all forms is space. Empty space is in itself a primordial substance and shares in the nature of divinity. Without it, the primordial substance whose abode is the whole universe would remain without support. Absolute void is defined by Indian philosophers as a
limitless sea of undifferentiated continuum which is an ever present entity not detachable from the relative, thus making all division of space illusory. So the spaces within a yantra, however minute, can be symbolically brought to 'presence' and expressed as being as immense as the spaces within the solar system. Although in the abstract this is the immutable principle on which the space concept of yantras functions, on the level of human experience we are led to locate the sacred by creating spatial divisions. The act of bounding the figure, 'fencing' its four quarters, defining its spatial orientations, delimiting the sacred territory of the yantra, is an act of asserting where sacred space begins to manifest."... Cosmogenesis: the Sri Yantra: "The Sri Yantra, considered the greatest of all yantras, displays the splendour of Siva-Sakti in their manifestation in order to create the root principles of life (tattvas). A graphic synthesis of the abstruse cosmological and metaphysical theory of Saiva-Sakta, the Sri Yantra is to be read as a chart of the evolution of the cosmic scheme, exposing step by step the theory of creation and its categories. it also demonstrates how the passage from formlessness to form takes place, as the antagonistic principles of life emanate and differentiate themselves from the original wholeness of Siva-Sakti. The Sri Yantra marks each phase of cosmic evolution and articulates every descending level of the creativeprocess."
yantraguru@hotmail.com
About the temple
Gabbar Hill
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At a distance of 65 Kms from Palanpur and 45 Kms from Mt. Abu near Gujarat Rajasthan border the religious town of Ambaji is located. This town is famous for the Maa Ambaji temple, one of the richest and holiest temple in Gujarat attracting lakhs of pilgrims from Gujarat and neighbouring Rajasthan every year. The original seat of Ambaji Mata is on Gabbar Hilltop, which is 3 Kms away from Ambaji town. Ambaji Mata temple is one of the 51 shakti peeths where it is believed the heart of Goddess Parvati fell.
Ambaji Mata temple at Gabbar is very ancient, origin of which is lost in antiquity. It is believed that Goddess Amba was one of the deities of Pre-Aryan race, which Aryans absorbed in their pantheon. On the Gabbar Hill the footsteps of Goddess are imprinted. The imprint of Her chariot is also found here. It is believed that the tonsure ceremony of Lord Krishna also took place here. Ambaji temple has a golden yantra made jointly with the yantra of Nepal Shaktipeeth at Ujjain. There are 51 shlokas on the yantra.
Lakhs of devotees visit the temple every year especially on Purnima days culminating into a large mela on Bhadarvi Purnima. Goddess Ambaji Mata has been fulfilling wishes of her devotees for thousands of years. |
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For more information and advance block bookings of tickets, contact:
Resident Manager,
Maa Ambaji ,
Gabbar Hills, Ambaji, Gujarat. Phone9856478752
Fax: 02749-262726
Email:
yantraguru@hotmail.com
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How to reach Ambaji |
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Distances :
From Ahmedabad – 180 Kms.
From Abu Road station – 20 Kms.
From Mt. Abu – 45 Kms.
From Delhi – 700 Kms.
From Palanpur – 65 Kms.
From Himmat Nagar – 110 Kms. |
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Nearest Station : Abu Road
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Train No. |
Delhi |
2957, 2916 |
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Nearest Airport – Ahmedabad
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Flight No. |
Delhi |
IC 613 |
Bombay |
9W 323 |
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Where To Stay In Ambaji
- Hotel Akash Ganga Phone : 02749-262764
- Balaram Resort Phone : 02742-84278
Local Transportation in Ambaji
- Taxi , Jeeps, Auto Rickshaw
Other Places to visit in Ambaji
- Goddess Amba temple in Ambaji town,
Koteshwar temple, Maa Kamakshi temple
Important Festivals in 2003
- Budh Poornima - 16 May.'2003
- Navratri - 26 Sept' 2003 to 4 Oct.'2003
- Diwali - 25 October'2003
Tours and Travels
- Vidhi Travels,
Ahmedabad
Phone : 079-6563065
Other Information at Ambaji
- Police Station
(Ambaji)
Phone : 62148
- Hospital
(Ambaji)
Phone : 62155
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Important Festivals in 2005
- Makar Sankranti :
14 January' 2006
- Republic Day:
26 January' 2006
- Maha Shivratri:
26 February' 2006
- Somvati Amavas:
27 February 2006
- Chatra Navratra:
30 March ' 2006 to 6 April' 2006
- Mahavir Jayanti :
11 April 2006
- Guru Purnima :
11 June 2006
- Independence Day:
9 August' 2006
- Independence Day:
15 August' 2006
- Rakshabandhan :
8 August 2006
- Krishna Janmashtami:
16 August ' 2006
- Bhadravi Poornima :
7 September 2006
- Sharad Navratra:
23 September to 12 October' 2006
- Diwali :
21 October' 2006
- Gujarati New Year:
22 October' 2006
- Kartik Poornima:
05 November' 2006
Nearby Cities / Places of Importance
Mount Abu - 45 Kms
The hill resort of Mount Abu on Aravallis is magnificent land of sages and seers. The major attractions are Nakki Lake, 1000 years old Dilwara Jain temples, Head Quarters of Brahmkumaris Foundation etc.
Ahmedabad - 180 Kms
Ahmedabad, once associated with Mahatma Gandhi, is renowned as a great textile and commercial centre. The major attractions are Jama Masjid, Kankaria Lake, the Shaking Minarets, Rani Rupwati Masjid etc.
Palanpur - 65 Kms
Palanpur is a former princely state ruled by Nawabs. The major attractions are palaces of the Nawab, Balram Mahadev temple etc. |
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30th March to 7th April 2006
Omkarananda Ashram Himalayas celebrated Vasant-Navaratri from 30th March to 7th April 2006 with full fervour. The Pandits of Omkarananda-Kamakshi-Devi Mandir conducted this festivity in the Yajnashala of the sacred temple.
Every day powerful prayers and additional Hawanas were conducted. From left to right:
Kumari Somashekhari, Swami Satchidananda, Sanjay Panditji, Suresh Panditji, Swamini
Vidyaprakashananda and Swami Vishveshwarananda |
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The most auspicious rituals commenced in the morning of 30th March at 7 a.m. with Panchanga Pooja and Kalasha Sthapana, in which the holy Kalasha was installed along the chanting of hymns. This grand event was followed by Devi-Maha-Abhishekam followed by Mandapa-Devata Pooja, Yantra Pooja, Chandi Pooja and Guru Pooja. The last morning ritual was Chandi Parayana that concluded with Arati, Bhog and distribution of Prasadam for the devotees and invitees. In the evening Pooja was conducted for all Deities. Mahaganapati Hawana was performed after Agnimukham.
Kumari Somashekhari offers Arati to Gurudev Swami Omkarananda, Durga Maa
and all other Gods and Goddesses |
Swamini Vidyaprakashanandaji offers Arati
during the Navaratri-Celebrations
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From 30th March to 6th April 2006, daily in the morning at 8 a.m., Panchanga Pooja, Devi-Maha-Abhishekam, Yantra Pooja, Durga Saptashati Parayana were devoutly performed, followed by Arati, Bhog and distribution of Prasadam. In the evening, after the Poojas for all the Deities, a special Hawan was performed every day for all Deities, namely Ganapati, Mahalakshmi, Rudra, Chandi, Durga, Guru and Tripurasundari. On 6th April 2006, Ram Navami, a special Bhajan and Dance Programme was performed by Kumari Somashekhari and her students to worship Devi. A separate report of this sparkling event is given in the following.
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Many Ashram-Devotees took part in our Navaratri-Celebrations with great enthusiasm. |
On 7th April morning, Vijaya Dashami, the Navaratri Celebrations were concluded with Sarva-Devata Pooja, Devi Pooja, Agni Mukham, Sarva-Devata Hawana, Navavarana Hawana, Chandi Pooja and Homa, Maha Purnahuti, Kanya Pooja, Suvasini Puja and Devata Visarjana. The Hawan on this day lasted for hours and was very impressive. Swami Vishveshwarananda, Swami Satchidananda, Swamini Vidyaprakashananda, Swami Narasimhulu and Kumari Somashekhari took part in it, and many guests watched the Hawan with enthusiasm. Swami Vishveshwarananda, President of Swami Omkarananda Ashram, performed the auspicious Purnahuti with great devotion.
After completion of the Purnahuti, nine small girls (Kanyas), were worshipped as Goddesses with Puja, Arati, Prasadam etc. Beautiful gifts of various items were presented by Kumari Somashekhari to those children.
Kumari Somashekhari worshiped nine Kanyas and offered beautiful gifts to them.
After the Puja the Kanyas enjoyed special Prasadam.
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Swamini Vidyaprakashananda honoured an elderly married Lady, whose husband is alive, a “Suvasini”, with Puja and gifts. In the end all received the Prasadam in the form of Bhandara and thus the Vasant Navaratri concluded. Everybody taking part in it, deeply felt the unforgettable powerful spiritual vibrations of this beautiful event in Omkarananda Ashram Himalayas.
Cultural Evening on Ram Navami in
Omkarananda Ashram Himalayas, Muni-ki-reti
As every year, this year too, Omkarananda Ashram Himalayas has celebrated Navaratri in a grand way. Omkarananda-Kamakshi-Devi Mandir was nicely decorated with beautiful flowers and all kinds of lights. The evening of Ram Navami (6th April 2006) was fully dedicated to the art of Dance and Bhajans to glorify the Deities.
Kumari Somashekhari and her students singing Bhajans
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Before the function started, a powerful Yajna took place which was followed by Arati. Later on, in the Maha-Mandapa of the Temple, the daily Arati, prayers and worship were performed. After that the students of Kumari Somashekhari, in beautiful costumes, sang Bhajans under the guidance of Kumari Somashekhari as worship to Omkarananda-Kamakshi-Devi. This was followed by various dances. Every dance was explained by Kumari Somashekhari in pure Hindi as well as in English for all those non-Hindi speaking guests. The temple was packed full with the audience. There was a sparkling atmosphere, especially when Kumari Somashekhari herself performed the dances in front of Omkarananda-Kamakshi-Devi.
Kumari Somashekhari and her students performing Devi-Dances.
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All important guests were welcomed with a flower garland. Among the prominent persons were Swamini Vidyaprakashananda, monastic disciple of Gurudev Paramahamsa Omkarananda Saraswati, who actively took part in establishing this beautiful temple, Shri Varshney, Shri I.D. Joshi, Prof. Rajwar, Shri Singhal, Shri Anil Mehrotra and Shri Kamal Narayan Mishra. In the end Shri Kamal Narayan Mishra, in a firing speech, addressed the public.
Kumari Somashekhari during
a Solo Dance
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Kumari Somashekhari and her students perform a
Devi-Arati Dance with Deepas and flowers in front of
Divine Mother Shri Omkarananda-Kamakshi-Devi.
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On this occasion, Kumari Somashekhari also introduced a group of her students, who henceforth will form the Omkarananda Bhajan Mandali. The release of a CD will take place soon. A special issue of the Ashram’s quarterly magazine ‘Vidya Prabodhini’ about the Omkarananda Mahotsava celebrations, was offered to everybody who attended this function. The function concluded with Prasad Distribution.
After the dance-performance the students of Kumari Somashekhari
received gifts from Swamini Vidyaprakashananda.
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Swami Vishveshwarananda, the President of the Ashram, himself guided and addressed the function as “Master of Ceremonies”. Among the Saints, Swami Rakeshananda, Swami Satchidananda, Narasimhulu Swami and Veeraraghavulu Swami attended the function.
The audience was thrilled by the excellent performance of Kumari Somashekhari and her students and everybody appreciated that she has taken much pain in teaching this beautiful art to the children, who are coming from different walks of life.
Visit to Ruskin Bond by Students of
Omkarananda Patanjala Yoga Kendra
on 2nd April 2006
By Saskia, Yoga Student
Oblivious of which bookshop I was supposed to be to meet Ruskin Bond, I suddenly noticed an elderly man, stoutly built with a soft and kind expression, comfortably seated on a small chair amongst hundreds of books, stacked and placed in every possible corner of a tiny bookshop. This man I had somehow met before, it suddenly occurred to me that it was Ruskin Bond himself – and the picture became clear. Usha sitting next to him with sparkling eyes and a glow on her face, her book was being signed by him. I went in and sat beside him on the small stool at his other side.
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Smt. Usha Devi and
Shri Ruskin Bond |
I read but so little of his work, but the little I had read appealed to me. It was only four days previous to our meeting that I casually came across Ruskin’s writings in some small bookshop in Rishikesh. He captivated me at once. This man who writes with such sensuousness about India, portraying love for life in India, bringing back to life playful childhood memories, was to touch my heart. To then hear that Usha had coincidentally arranged to meet Ruskin Bond in Mussoorie Cambridge bookshop was for me so exciting. I could not help being playful as if I felt comfortable with him, as if I knew him always. I had remembered reading in one of his short stories that he as a child often read upside down and ever since for fun still does. “Do you still read upside down?” I asked him, he answered as if he enjoyed the question, with a playful smile he replied “Yes I do, when children ask me I sometimes show them how.” Seated next to him, enjoying his gentle presence, he signed my books. I just watched him. He could have been my granddad with his blue mischievous eyes ready for sharing stories. The only stark difference being that he had adopted Indian gestures along with an Indian accent. As he asked for my name so to sign my book he looked into my eyes, his thick glasses seemed to make his eyes go smaller and sweeter. Gradually whole groups of people came into the shop and without any sort of resistance Ruskin looked each one of his fans warmly into their eyes, asking for their names so to sign their books. He commented that this is not very usual to have so many people visiting (I somehow could not believe him). His English charm and politeness seemed to still be a part of his heritage. The afternoon flew by. Meanwhile all of us Yoga students from Omkarananda Patanjala Yoga Kendra were gathered around him. Coincidentally a Yoga group from Delhi dropped into the bookshop to greet Ruskin as well. Ruskin was surrounded by young Yoga ladies, and I think he seemed to secretly enjoy all the attention. We were offered coffee by the bookshop keeper and shared stories of monkeys sitting on potties and traffic jams in Delhi. By the end of the afternoon he concluded that it may be time to write something about Yoga as there are so many Yoga students around nowadays. I cannot but think of him as a charming gentleman who may someday flatter us all with a book about Yoga.
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